مطالب

IoT is a dynamic network of interconnected things that communicate and exchange data, where security is a significant issue. Previous studies have mainly focused on attack classifications and open issues rather than presenting a comprehensive overview on the existing threats and vulnerabilities. This knowledge helps analyzing the network in the early stages even before any attack takes place. In this paper, the researchers have proposed different security aspects and a novel Bayesian Security Aspects Dependency Graph for IoT (BSAGIoT) to illustrate their relations. The proposed BSAGIoT is a generic model applicable to any IoT network and contains aspects from five categories named data, access control, standard, network, and loss. This proposed Bayesian Security Aspect Graph (BSAG) presents an overview of the security aspects in any given IoT network. The purpose of BSAGIoT is to assist security experts in analyzing how a successful compromise and/or a failed breach could impact the overall security and privacy of the respective IoT network. In addition, root cause identification of security challenges, how they affect one another, their impact on IoT networks via topological sorting, and risk assessment could be achieved. Hence, to demonstrate the feasibility of the proposed method, experimental results with various scenarios has been presented, in which the security aspects have been quantified based on the network configurations. The results indicate the impact of the aspects on each other and how they could be utilized to mitigate and/or eliminate the security and privacy deficiencies in IoT networks.

Background: The emergence of amateur critics and vernacular reviewers as non-institutional cultural voices is one of the consequences of social media's development and widespread use.Aims: This study aims to better understand reviewers and their types by examining how they establish critical authority in comparison to institutional critics and their potential influence on cultural valuation.Methodology: This subject is explored through the rhetorical analysis of their linguistic strategies. The research draws theoretically on existing literature regarding cultural criticism and review in social media. Methodologically, it combines qualitative content analysis and rhetorical analysis, emphasizing identifying Aristotelian persuasive elements within the data, including ethos, pathos, and logos. The study sample consists of 350 Instagram posts gathered from 30 film review pages.Findings: The findings indicate that most reviewers adopt a consumer-oriented perspective, distancing themselves from institutional critics. They have also emphasized using Instagram's affordances, particularly its interactive and participatory features, to construct their cultural authority. Furthermore, they have employed rational and emotional appeals in alignment with presenting "summaries and supplementary movie information" and expressing "emotional appeal and affective experience of consumption". These strategies, along with the reviewers' focus on "addressing the audience's emotional needs", "personal growth and self-improvement", and "less dependence on institutional critics", reflect their disinterest in delving into deeper levels of critical evaluation and rhetorical directness in constructing their authority. In the final section of the article, the impact of reviewers on cultural valuation is further discussed, distinguishing three types: "film-style bloggers", "cinema influencers", and "critical reviewers".Conclusions: Based on the results, the first two types of reviewers demonstrate how Instagram’s platform-specific features primarily shape critical authority. While diverse reviewers enhance access to information, they often marginalize critical evaluation and cultural value in favor of consumerism and commercial competition. Only "Critical Reviewers" have successfully integrated critical evaluation with Instagram’s affordances through distinct rhetorical strategies, emphasizing the need to increase their numbers in the era of digital media.

Background: A key claim and fundamental assumption of feminist thought is that many traits commonly perceived as female are not inherent or genetically determined, but are instead products of historical and social conditioning. This perspective argues that even in contemporary societies, persistent anti-female stereotypes limit women’s ability to fully exercise their rights. For instance, the historical exclusion of women from political life, potentially driven by male power dynamics, has fostered the misconception that women lack interest in political engagement.Aims: This research seeks to investigate this hypothesis: does Internet-based social networks help to increase women's political participation?Methodology: Employing a qualitative approach, this study synthesizes data from diverse sources– including case study of Clubhouse, and peer-reviewed academic literature– to explore to what extent are women interested in political action under free and equal conditions? To this end, we selected the Clubhouse platform. We then monitored and analyzed women’s behavior before and after a sensitive national political event, the 2021 (1400 AH) presidential election.Findings: The findings indicated that, contrary to our initial hypothesis, the Clubhouse platform’s open environment did not significantly enhance women’s political participation or stimulate greater interest in political topics. Women largely remained engaged with content related to entertainment, family life, cooking, and music.Conclusions: This viewpoint aligns with the tendency to view gender-related issues as stemming from inherent, natural differences rather than socio-historical constructs.

This article looks at Ralph Waldo Emerson’s translation of a poem by Shah Nimatullah Wali, “Song of Seid Nimetollah of Kuhistan,” and through a genetic reading of its avant-texts demonstrates, firstly, how despite its pretense to faithfulness, the translation is affected by Emerson’s prior knowledge of the original culture. It will also demonstrate how the translation provides Emerson with a space to express his concerns in disguise of a translator. That is to say, through conscious and unconscious manipulation of the original text and introduction of the translation as an emblem of the foreign culture, Emerson affirms and naturalizes his own ideological position. This article also attempts to demonstrate how through the translation Emerson is identifying with the speaker, “leaving” his identity, and temporarily experiencing the moment of trance a dervish describes. In order to achieve these, this article benefits from Lawrence Venuti’s “hermeneutic model of translation” and Branka Arsic’s idea of “leaving.”

Performative care for victims of gender-based violence in Tanzania through established socio-cultural gendered policies that reinforce the disproportionate care labor that women activists carry. Women's rights activists historically sustain the care labor of protecting young girls from various forms of abuse and violence, in Tanzania, this abuse is embedded within Tanzania's constitution under the Law on Marriage Act of 1971, sections 13 and 17 that upholds the age of consent for Tanzanian girls at fourteen years or fifteen years respectively. In this chapter, I address the cost of harmful cultural or religious practices that sustain and reinforce violence against young girls in Tanzania. I explore the challenges of navigation justice in systemic heteropatriarchal societies and the exhausting but rewarding care burden of protecting young girls by women's rights activist groups or legal civil society organizations. My work adds to the voices of activists, scholars, victims, and survivors to explicitly emphasize the dangers that young girls face in societies that see children as objects for masculine domination and pleasure.