درخت حوزه‌های تخصصی

The ability to recognize and compare shapes and understand the concept of proportions is one of the first human findings from environmental geometric data. And certainly the formation of geometry as a science of recognizing the arrangement of lines, shapes and levels and proportions leads to the definition of golden proportions in the mathematical sciences as a new way of organizing shapes and forms. Golden and geometric proportions are effective as a determining element in the scale of spatial forms, and the formation of spatial forms by not using or misuse of geometric proportions is due to functional and psychological interactions on human perception and cognition. Which causes the construction and formation of scales and proportions of the environment and the emergence of psychological effects due to human activities in the environment. And then the abnormal effects and environmental dysfunction on the saccade system of the human eye and as a result the feeling of fear and lack of belonging to the place interacts. On the other hand, nature as the raw material of creation, and the principle and mother of man, which causes him to model the proportions in nature. Understanding the laws governing the relationships between elements and spatial shapes leads to the formation of geometric and golden proportions in the spending of space. Because knowing the symbol of shapes, proportions and scales in the world of meaning and kingdom is reminiscent of the divine order in all dimensions of the world (even in astronomy). Therefore, evaluating the values ​​of spatial proportions in nature as the bedrock of human life and the pattern of psychological perceptions, leads to the adoption of human activities. Also, the study of human needs on a mental and psychological scale from the perception of the environment causes the recognition of scales and dimensions by human visual senses, which leads to the perception of the correct golden and geometric proportions through Sakadi eye movements and psychophysical sciences. . Certain ratios can also be observed in the creation and design of various shapes in nature. These relations are those geometric relations that have immaterial roots and follow the spiritual and supernatural principles, believing that their subject is sacred, and have a symbolic language and spiritual characteristics. In the traditional world, geometry was inseparable from the other four Pythagorean sciences, namely arithmetic, music, and astronomy. And traditional geometry is also associated with the symbolic composition and shapes of space. To this end, the study of the effect of golden and geometric proportions on human visual perception of the architectural environment based on the sense of belonging to the place, causes visual quality to increase the sensory richness of the place and achieve human values ​​and criteria in the sense of belonging to the place and human needs. To be considered by the architect. In this research, with the perspective of this identity and the interaction of geometric and golden proportions and the sense of belonging to the place, the criteria and indicators of the research have been studied and the results have been presented in the form of tables and diagrams.

The final goal of this research is to investigate the design of Qajar women's clothing in different periods. In the first step, the question arises whether the cover can be a language. Then this research seeks an answer to the question of what messages in the form of language mean. Therefore, in the current research, the above issue has been analyzed by a case study of Qajar women's clothing and using a descriptive-analytical qualitative research method. Findings: This study shows that the clothing of Qajar women can be considered a single language of signs. In deciphering this language, concepts such as women's attention to religious foundations, gender inequality, and patriarchal view in society, the value of wearing Iran's old traditions, as well as the desire to move towards westernization and fashionism of Europeans can be inferred. The results of this research show the importance of the role, color, code, sign, symbol, and finally language in the field of women's clothing in the Qajar period.  

The correct position and the determining role of the second and first millennium BC cultures in the Fars region (Marvdasht plain) which we know as the Shoqa/Timuran cultures and the importance of this culture in the transition from the prehistoric to the historical period (Achaemenid) are still not well known. Despite of extensive archaeological research that has been done in the Marvdasht plain and the presence of significant sites of this period, due to the limited and generally very old excavations in these sites, it is still difficult to understand these developments. During that time, huge developments were taking place in Khuzestan and Fars regions; Changes usually created many conflicts between native cultures and southwestern cultures origin (Elamite).Some archaological findings, such as weapons, are signs of the height of such conflicts in the past. This paper will study and introduce the collection of weapons of Toll-e Shoqa, which were obtained from the excavations of Mahmoud Rad in 1942 and Vandenberg in 1950 in that site, those are now kept in the National Museum of Iran. These collections have been studied recently in the inventory project in the National Museum of Iran archives. So far, few cultural materials from Toll-e Shoqa have been published and more emphasis has been placed on its pottery; the pottery is the basis of the relative chronology of this period in the Fars region. Unfortunately, the results of the archaeological excavations in Shoqa were never fully published and all its cultural materials were not introduced. In the organizing project of the National Museum of Iran which will be described and analyzed in this paper.