مطالب

In God Help the Child (2015), the overarching argument of this article is that Sweetness is incapable of conveying a meaningful reflection of her “true self”. Her frailty to love and respect herself makes her vulnerable to exchange the same emotions with Bride. The objective of this paper is to scrutinize the impact of colorism and color-blindness on the lives of African-American women. We try to respond to two fundamental questions, namely how can “looking-glass-self” theory be applied on the maternal bond between Sweetness and Bride? and second, what is the impact of intersectionality or matrix of the social domination on the lives of Sweetness and Bride in God Help the Child (2015)? Drawing upon Collins’s Black Feminist and Winnicott’s Psychoanalytic theories, we try to examine multi-faceted aspects of racism, including reverse racism, structural racism, intersectionality, matrix of the social domination, and common stereotypical images attributed to Black women with a holistic approach. Although socio-cultural White ideology is dominant to Bride’s Blackness, Bride rescues herself from the hatred of her own world by furnishing a kind of domination over other women and companies by her physical beauty and success in expanding cosmetics business. She turns her dark skin color into a marvelous asset in the guise of the White clothing.

Writing assessments in the EFL context today have put a great concern on language acquisition and proficiency testing. However, diverse techniques and practices require a comprehensive synthesis to better understand trends, gaps, and best practices. This study reviews and synthesizes prior research on writing assessments in EFL contexts. It examines the dominant assessment approaches, their effectiveness, and their impact on EFL learners' writing skills holistically. The study employs a meta-synthesis approach. Fifty journal articles indexed by Scopus, ERIC, Crossref, Google Scholar, DOAJ, Copernicus, and other indexing databases between 2018 and 2024 were selected as the data to review in this study. The data selection was conducted to ensure the relevance and quality of the literature reviewed. The results include a variety of assessment practices such as teacher feedback, self-assessment, peer-assessment, blended or collaborative assessment, automated writing evaluation (AWE), and artificial intelligence in EFL writing settings. The study also concludes that, despite the diversity and complexity of writing assessments in EFL contexts, there is a strong need for more standardized and contextually valid assessment practices. Effective assessments align with instructional goals and offer meaningful feedback that supports student learning. The study recommends developing comprehensive assessment frameworks tailored to specific EFL contexts, providing more training for educators in assessment literacy, and conducting further research into the long-term impact of various assessment practices on the writing development of EFL learners.

The assemblage of our archaeological data and findings regarding the early Roman-Sasanian interactions is very limited. During the recent survey of the Dehlorān Plain, an accidental coin find (discovered by a passerby, Mr. A. Hosseini) was handed over to the members of the expedition. The highly corroded and perforated coin belongs to the Singara issues of Gordian III (238-244 AD), the young Roman emperor whose reign coincided with the first series of Sasanian incursions led by Ardashir I and his successor, Shapur I. Not only it is one of the few known findings that relate to this tumultuous era, it has been discovered in the vicinity of Roman Mesopotamia, where most of the fighting took place. In this article, in addition to describing the coin, the authors have discussed the historical context of this period and the possible entry scenarios of this coin into the territory of the Sasanian Empire. 

The book Late Achaemenid Texts from Šāṭer, The Archive of Šamaš-zēru-ibni, Part 1, written by Basima Abed and Johannes Hackl, is one of the new books about Achaemenid texts. It includes transliterations, autographed copies, and photographs of texts confiscated from illicit excavators by the Iraqi Antiquities Authority, along with a brief introduction and indices; these texts form part of a larger collection housed in the Iraq Museum.

Cet article présent, nous ne projetons en aucune façon d'établir ou de définir ce qu'est l'art, dont l'œuvre d'art en ontologie. Ce n'est pas notre préoccupation aujourd'hui, et non plus davantage de la plupart des artistes contemporains. À la recherche d'une ontologie bien particulière sur l’œuvre d’art contemporain, Roger Pouivet, le philosophe contemporain français, l'appelle « l'ontologie appliquée ». Il s’agit de considérer l'œuvre en tant que telle, sans se préoccuper des catégories fondamentales qui la possèdent. À ce stade, il paraît nécessaire de parler du changement de paradigme dans le champ d’arts plastiques, qui résulte de l'apparition des œuvres des textes écrits ou oraux.  En ce qui concerne le concept de « Zugganzes » de ’Heidegger, il faut bien comprendre, quoi qu'il en soit, le cumul des éléments nécessaires jusqu’à ce que l’établissement d’un système s’achève. Cela veut dire que pour un processus de créer une œuvre d'art contemporain il explique qu’à la fois chaque élément a son rôle clé, même indispensable, et une mission pour compléter le rôle des autres éléments. Au fur et à mesure de cet article, nous répondrons aux questions de recherche : 1) Comment peut-on mettre en avant un processus de détermination d'une œuvre d'art qui s'enrichit des textes écrits ou oraux, en époque contemporaine ? 2.) Pourquoi et pour quelle raison a-t-on choisi de mettre en lien les deux concepts de « Zugganzes » et de l'hypothèse de « l'ontologie appliquée » dans ce travail de recherche ? Cette recherche essaye de nous montrer que: les œuvres d'art contemporaines qui sont considérées comme des textes visuels enrichissent des textes écrits ou oraux. En effet, cet acte vise à attirer l'attention des spectateurs en tout temps et en tous lieux. À la fin, on comprendra qu’il est possible de créer visuellement des textes symboliques en pratiquant simultanément les textes écrits ou oraux comme des éléments visuels et en profitant de leurs contextes.   

Background: In the digital age, the expansion of social media platforms has profoundly impacted various aspects of life, including family relationships.Aim: This article addresses the complex dynamics of family communication, particularly focusing on Iranian families. In this article, we study the perceptions of users and followers of family blogger pages regarding the representations of family life on Instagram.Methodology: Through interviews with users, we seek to understand their understanding of concepts such as love, intimacy, home, and marital relationships. To study how followers perceive and interpret family-oriented pages on Persian Instagram, approximately 29 qualitative interviews were conducted with three groups of respondents. These groups included users, informants, and family psychologists and counselors (couple therapists).Findings: The concept of family display helps us understand what practices are defined as "family practices" from the perspective of users and followers of family pages on Instagram. On the other hand, Hall’s theoretical model helps us understand the category of readings that users’ interpretations and perceptions of the family representation on these pages fall into. The findings reveal the evolving nature of family relationships in the digital age, particularly concerning Iranian families. The findings show that the readings of users following these pages are generally hegemonic and can be divided into three main axes: family rituals, marital relationship, and feminine power, each of which has its own sub-themes. In addition, some interviewees mentioned contrasting and negotiating perceptions.Conclusions: The results indicate that readings are complex processes shaped by the cultural contexts and lived experiences of the readers, leading to a combination of interpretations rather than a wholesale acceptance or rejection of media representations. Additionally, followers with preferred readings expressed dual emotions ranging from idealization and beautiful aspirations to feelings of alienation and dissatisfaction with their relationships.