مطالب

The purpose of this paper is to list and briefly discuss the top authors, organizations, universities, nations, publications, and journals in the topic of sports safety management. It also aims to provide the most linked patterns in terms of co-citation, co-authorship, keyword co-occurrence, temporal proximity, and substantial terms and concepts in the field of safety management based on content analysis. 214 pertinent international publications from journals around the world that were published between 1993 and 2023 were found in the Scopus citation database and comprised the statistical population for this study, which followed a systematic review process. In this study, software tools like Publish or Perish, Excel, Vosviewer, Rstudio, R and Maxqda 2020 were used to identify, quantify, and evaluate safety management elements in sports.The results showed that the United States has the most influence in this sector, with the University of Florida (USA) being the most significant university and organization. "Recreational Sports" is the most prominent journal in the field of safety and risk management. Konnaughton, D.P., and Spengler, Jo are the most significant authors in this discipline. Finally, a comprehensive and eight-dimensional model of safety management was created by merging the essential terms that were taken from the examination of the top 20 articles in this sector. In conclusion, it can be said that safety and risk management in sports can reduce sports-related dangers and boost safety standards, resulting in a significant advancement in athlete safety and a reduction in risks related to sports.

In “Ākhar-e Shāhnāmeh” by Mehdi Akhavān Sāles (1929-1990), one of the foremost representatives of “New Poetry” in Iran, a fictive orality is staged: The poem becomes decipherable only to a reader attuned to the tradition of epic storytelling. This paper examines the relationship between language, perception, self, time, and world created through the fiction of storytelling. Drawing on theories of perception, narrative time, and epic performance, our discussion touches upon the nature of “I” and “we”, the shifting narrative grounds and identities enacted by the narration, the imbrication of past and present in the figure of the storyteller, and the memory spaces that are created both in and through the text. The imaginary speech act of the storyteller casts the reader as audience, while at the same time, the epic past is overlayed by a tumble-down present. Language itself becomes incommensurable with what it describes. Rather than a nostalgic invocation of a lost age of epic heroes, as has often been claimed, ĀKHAR-E SHĀHNĀMEH emerges as the profoundly modern diagnosis of a split consciousness that affects the individual in a society that can no longer return to epic naïveté.

Reading and reciting the Shahnameh in Persian was popular not only in Persianate lands, like some parts of the Caucasus and Central Asia, but in Ottoman empire as well. Furthermore, some of the stories of the Shahnameh were known through oral tradition. Copying and making illuminated manuscripts of the Shahnameh was another method of spreading the fame of Ferdowsi. Ferdowsi, like many other poets of Iran, had considerable influence on the Ottoman literature. The present article examines translations and imitations of the Shahnameh in Turkish Lands.