فرح حبیب

The ability to recognize and compare shapes and understand the concept of proportions is one of the first human findings from environmental geometric data. And certainly the formation of geometry as a science of recognizing the arrangement of lines, shapes and levels and proportions leads to the definition of golden proportions in the mathematical sciences as a new way of organizing shapes and forms. Golden and geometric proportions are effective as a determining element in the scale of spatial forms, and the formation of spatial forms by not using or misuse of geometric proportions is due to functional and psychological interactions on human perception and cognition. Which causes the construction and formation of scales and proportions of the environment and the emergence of psychological effects due to human activities in the environment. And then the abnormal effects and environmental dysfunction on the saccade system of the human eye and as a result the feeling of fear and lack of belonging to the place interacts. On the other hand, nature as the raw material of creation, and the principle and mother of man, which causes him to model the proportions in nature. Understanding the laws governing the relationships between elements and spatial shapes leads to the formation of geometric and golden proportions in the spending of space. Because knowing the symbol of shapes, proportions and scales in the world of meaning and kingdom is reminiscent of the divine order in all dimensions of the world (even in astronomy). Therefore, evaluating the values ​​of spatial proportions in nature as the bedrock of human life and the pattern of psychological perceptions, leads to the adoption of human activities. Also, the study of human needs on a mental and psychological scale from the perception of the environment causes the recognition of scales and dimensions by human visual senses, which leads to the perception of the correct golden and geometric proportions through Sakadi eye movements and psychophysical sciences. . Certain ratios can also be observed in the creation and design of various shapes in nature. These relations are those geometric relations that have immaterial roots and follow the spiritual and supernatural principles, believing that their subject is sacred, and have a symbolic language and spiritual characteristics. In the traditional world, geometry was inseparable from the other four Pythagorean sciences, namely arithmetic, music, and astronomy. And traditional geometry is also associated with the symbolic composition and shapes of space. To this end, the study of the effect of golden and geometric proportions on human visual perception of the architectural environment based on the sense of belonging to the place, causes visual quality to increase the sensory richness of the place and achieve human values ​​and criteria in the sense of belonging to the place and human needs. To be considered by the architect. In this research, with the perspective of this identity and the interaction of geometric and golden proportions and the sense of belonging to the place, the criteria and indicators of the research have been studied and the results have been presented in the form of tables and diagrams.

Urban space has been formed in historical texture of cities under the influence of meaning and shape on the one hand and qualities related to human behaviors on the other hand. Among these points, neighborhood centers as the most important areas of social life in urban open space play a critical role in attracting people and improving quality and vitality of environment. This study presents the related literature in an analytical approach and expresses the relationship between neighborhood centers and human presence by structure analysis; it focuses on rules governing presence quality and formed behaviors in this places. In this survey, human and his presence in neighborhood centers are evaluated and urban spaces concept is formed by composing space location characteristics and human behavior. At least, it is sated that people`spresence in urban space of neighborhood centers expresses their thoughts and cultural interactions whose form shows its function and meaning. Therefore, humans would appear in urban space in a way that neighborhood centers quality depends on activity kind and their user's behavioral patterns.

Given more than seven thousand years of urbanization and highly diverse topographic and geographical conditions, Iran is one of the treasures through the world's architectural history. Climatic diversity, on the one hand, and long history of living, on the other hand, has led to noteworthy and valuable achievement in architecture and urbanization within this country. However, these elements are less utilized in today architecture. Urban life, technological advances and excessive economical demands have extremely made people apart from the nature and formed their mind within an iterative mechanized order. Furthermore, human being is a part of nature and his/ her close relationship to the nature provides him/her with survival and longevity. In Iranian houses, a space indicating relationship between human and nature is courtyard. Central courtyards within vernacular houses in Yazd provided inhabitants with terrific living conditions and enhanced their living quality by utilizing natural elements such as water, wind, light, and plants. Today, due to providing more houses regardless of their quality, not only are natural elements ignored in human life; but also in many cases, buildings do not have essential features of living. This paper attempts to explore how to create and enter natural elements in apartments. This paper aims to investigate natural elements on vernacular houses in Yazd. A descriptive, analytic methodology along with a case study (vernacular houses in Yazd) were employed and data was collected through library and field research.

Looking from an historical perspective, it can be seen that many civilizations have lived in the country and consequently produced many different cultures and architectural products. One of the oldest cities which contain such historical examples which have lived until present is Tabriz. Its traditional houses are the most important places to represent the life style of the past. Lack of recognition and appreciation of these buildings by authorities and the public will gradually lead to their destruction and replacement by contemporary buildings. The present study seeks to introduce specific architectural features of traditional houses in Tabriz. Preservation of the features of these houses helps maintain the architectural heritage and culture of the region. Most old houses in Tabriz were reconstructed at the beginning of the Qajar era after a devastating earthquake in 1780. The destruction caused by contemporary constructions, in the chaos of modern period, makes it difficult for researchers to gather information about the principles of traditional buildings and to identify their typology. The survey is a compilation of a process in the typology of 52 traditional houses of Qajar and Pahlavi periods in Tabriz. The study revealed that it is possible to accomplish the classification of the monuments with the application of a quantification process in which the qualitative data related to architectural elements was successfully converted into quantitative data by assigning numerical values and using coefficients.

The question from the mission of architecture and its relationship with human as the artist or the audience, without addressing to the reality issue and the manner of cognition is not possible. As a human phenomenon, architecture is a product of human awareness on various aspects such as scientific, engineering, and artistic aspects. Therefore, clarifying the nature and the manner of awareness, cognition and the methods and tools, can contribute to understand the art work. In continue the manner of advent and perception of wisdom in the Islamic architectural work would be analyzed. The research method is logical reasoning. Therefore, initially the Islamic worldview is posed based on the transcendental philosophy as the last and most important and major Islamic philosophy evolution, this approach is a strong system with logical method and has a strong theoretical transparency in order to understand the definition of components such as ontology, anthropology, epistemology and cosmology. After explaining principles of mental structures according to proposed Islamic worldview, the manner of emergence of the architectural work by creator of the work and how it is perceived by the audience and the work relationship with reality, based on the quad and quintet causes, ultimate and in instance, nominative, substantial, formal which have been considered in the formal position of discussion. The manner of Islamic architecture as nominative cause and the advent of thought and imagination, as the ultimate and in instance cause and actuality of the mass and the space, as substantial causes in the form of the face of place as formal cause is the purpose of this research. The manner of creation and perception of the work and the manner of presence and the advent of reality in architecture are exامینed by determining nature and the manner of emotions, perceptions and cognition. The most important result of this study is to address the main mission of architecture as the creator of the cognition factor.

Regionalism is an analytical and critical perspective which focuses on preserving special features of place and attempts to fill the vacuum in architecture. Globalization is a complex multi-stage process that causes increasing complexity of time and place, greater awareness across the global and acceleration of cross cultural interactions. Therefore, the present paper attempts to analyze global-regional interactional approach through investigating contemporary Iranian architecture in relationship with the aforementioned phenomena and also tries to provide practical advice on establishing a constructive interaction. The research methodology is based on content analysis and case study. The results obtained from investigating striking cases of 4 eras of contemporary Iranian architecture and presented as a table of global-regional interaction components (physical, semantic and ecological) show that an interactional approach is becoming increasingly popular and global-regional coexistence is being formed in contemporary Iranian architecture, which associates with spirit of time and its regional components. A dynamic presence and playing a componential role by contemporary Iranian architects in this interaction have some prerequisites: an understanding of contemporary pluralism, an understanding of the other and establishing interaction, emphasis on the role of thought, creation and innovation, objective research, a good understanding of identity and place, past recall and identifying components of Iranian architecture.

Nowadays, with advanced technology and information, the attention to national and religious culture and ritual has faded, so the lack of collective cultural-ritual spaces based on the correct principles of architectural wisdom is considered as a problem in today's world of speed and technology. The goals of the research are to improve sociability through the analytical analysis of Iran's historical buildings in order to read the effective components in the architecture of collective-ritual spaces based on the wisdom of Islamic art and architecture. The research method is in the form of case studies and logical reasoning and analysis of the content of fundamental principles and concepts, which in the case examples of social arenas from the perspective of the teachings of architectural wisdom in which national and religious rituals are held and a comparative study The factors of each were done in the form of tables; In the following, by adapting the arguments and relational analyzes of anthropological and epistemological discussion in the results of the research, it was shown that the fundamental principles and concepts in architectural wisdom are the result of focusing on rules and precise theorizing and are formed according to the culture of the people. And on the basis of basic needs assessments, it reduces discussions involving duality and difference of opinion. In addition to the semantic dimensions, components with physical-spatial aspects were extracted in an understandable way for the users, whose strategy and solutions will lead the way in improving the sociability of collective-ritual spaces.

The Clarification of the field-oriented thought in Iranian contemporary architecture through the sociological knowledge model can be studied and analyzed as a comparative model as well as the location of the phenomena of Iranian contemporary society, especially architecture. Although sociology of knowledge must be able to control the cause of social and historical deviation in the context of Iranian architecture and identify ways by correct standards of human thought to guide the social phenomenon, such as Architectural. In this article, structural and evolutionary analysis methods and data collection tools such as in-depth interviews, observation and local navigation, documents analysis, photographs and fieldwork to observe and analyze the social behavior and cultural changes in the design of the house were used. At the end of this study, the concept of approach, methodology and understanding the operational range were mentioned, and then the impact and influence of culture on the architecture in native housing areas and vice versa in the cases of surveys area were analyzed.