Persian Translation

Thematic progression pattern as the method of development of the text ensures that the reader follows the right path in understanding the text; in this regard, this subject is attracting considerable interest among discourse analysts. This paper calls into question the status of thematic progression in the process of translating English news into Persian. With this in mind, we analyzed the thematic progression patterns of a total of 643 T-units of English news along with their Persian translated version employing Daneš and McCabe progression patterns. The results of the Chi-square analysis revealed there was not a significant difference between the progression patterns in English and Persian except for the simple linear pattern. Nevertheless, there were some structural changes resulting in the alterations in progression patterns: Adding the theme that pushes the theme to the rheme, changing the postpositioned declaratives, omitting expletives, dislocating the theme in the T-unit and others. In spite of having linguistically motivated and unmotivated alterations, we also found that Persian translation seems to retain the progression pattern of the English news texts.

This paper investigates the Persian writer’s style through domesticating/foreignizing strategies used in two English translations of Hedayat’s The Blind Owl. As the ‘thumbprint’, style is concerned with some recurring patterns of linguistic habits of any writer; hence, any translator. As proposed by Venuti, these strategies may result from various shifts made by translators in transferring the ST style into the TT one. The question is raised: Is there any relationship between the translator’s style and the used strategies by the translators? Having reviewed the main literature and strategies, this paper puts into practice the main used strategies in 200 sentences chosen randomly from each English translation of the novel, related to the given categories of domestication and foreignization. The results showed that Costello’s translation was dominated by such domesticating strategies as borrowing and extra-lingual gloss; Bashiri’s with foreignizing ones. In both translations, the dominant domesticating strategies are deletion, approximation, and paraphrasing. However, regarding the macro-level structure, keeping or losing the original author’s style has nothing to do with domesticating/foreignizing strategies. In conclusion, it seems perplexing to apply such strategies to the texts translated from non-hegemonic languages such as Persian into hegemonic languages such as English.

Machine translation (MT) of literary texts presents unique challenges due to their stylistic complexity and cultural nuances. This study evaluated the performance of Google Translate (GT) and Microsoft Bing Translator (MBT) in translating Camus’s The Stranger from English to Persian. Data collection for this study involved automated evaluation using the Bilingual Evaluation Understudy (BLEU) metric and human evaluation conducted by three experts using the Localization Industry Standards Association (LISA) rubric. The results showed that GT significantly outperformed MBT across nearly all dimensions. GT achieved a BLEU score of 21.57 compared to MBT’s 6.36, with superior n-gram precision at all levels. The human evaluation phase also revealed GT’s fewer critical and major errors in almost all categories compared to MBT. However, both systems struggled to preserve the aesthetic and philosophical richness of The Stranger . These findings highlight the persistent limitations of MT in literary translation, particularly for linguistically distant pairs like English and Persian. While MT shows potential as a supplementary tool, it remains unsuitable as a replacement for human translators in capturing the depth and artistry of literary works.

There are more and more neologisms to the vocabulary of human language due to the progress of globalization, development in social life, and advancement of new technology. The object of this study is to survey the applicability of the conceptual blending theory in the analysis of neologisms in the Harry Potter series and will answer the question of which type of blended networks can be used in the new translation of neologisms. The theoretical part of this study described conceptual blending theory, and its networks and described making the meaning process based on these networks. This theory is a developing area of research in cognitive linguistics. So, those who work in the field of literary or translation analysis must be familiar with its basic operations and networks. The nature of this study is descriptive and content analysis. Data analysis will involve quantitative analysis. To address the objectives of the present study, the researcher selected 83 translated neologisms in the series of the novel. The paper mainly studies the process of conceptual blending theory (CBT) when translating those English neologisms whose Persian counterparts cannot be found. In the network of this theory, English takes up one input space and Persian takes up another. From both inputs, frameworks, and elements plan out the blend, where they are dynamically integrated. Then, the planned framework and elements construct a novel structure (translation).