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۳۷

چکیده

علم التصویر أو الصورولوجیا یعد من فروع الأدب المقارن ویدرس تجلیات الصوره فی الأعمال الأدبیه ومنها صوره الأنا والآخر. الصوره عن بیئه جغرافیه أو حدث تاریخی أو ثقافه وعادات وتقالید وفئات مختلفه لها لغه رمزیه وخصائص لغویه. فی دراسه الصوره تُطرح مفاهیم ومکونات مثل القوالب النمطیه، والتحیز، والصوره، والتمثیل. من النظریات التی یمکن أن ندرس فی ضوئها صوره الأنا والآخر هی نظریه هانری باجو الفنان التشکیلی الفرنسی الذی یری أن للصوره ثلاثه اتجاهات: الاتجاه الفوقی أو التشویه الایجابی، الاتجاه الدونی أو التشویه السلبی، الاتجاه الأفقی أو التسامح. بالاعتماد علی هذه النظریه تم اختیار کتاب الاعتبار لأسامه بن منقذ (488-584) الکاتب والشاعر الکبیر الذی عاش قبیل الحروب الصلیبیه فی منطقه شیزر، وکان شاعراً فذا وکاتبا بارعا وله شخصیه أدبیه وسیاسیه ورحلته الاعتبار هی صوره دقیقه ورائعه لمختلف الطبقات والشرائح الاجتماعیه والسیاسیه، منهم الکاتب نفسه وأهله، والعرب وقبائلهم المختلفه، والفاطمیون، والأیوبیون، والغزاه المسیحیون وغیرهم. تهدف هذه الدراسه بالمنهج الوصفی التحلیلی وفی ضوء علم التصویر إلی استعراض ثنائیه الأنا والآخر فی کتاب الاعتبار، وحاولت الإجابه علی سؤال رئیس مفاده ما هی أنواع تجلیات الأنا والآخر فی هذا الکتاب وما هی مصادیقهما. وخلص البحث إلی أن أنواع الأنا والآخر فی کتاب الاعتبار تنقسم إلی الفردیه والجماعیه، ووقف الکاتب منهما موقفا محایدا نزیها واتجه اتجاها أفقیا. وبدا أن هذه الصور هی نتاج اتصاله الوشیج والمباشر بالفئات المختلفه التی تجلث صورتهم فی رحلته وحاول التمییز بین الغزاه الصلیبیین وعامه الناس، وبالطبع قدم صوره واقعیه غیر منحازه عن الأنا والآخر.

The duality of self and other in the book “Al-Etibar” in light of Henri Bajou’s theory

Imagery or surology is one of the branches of comparative literature and studies the manifestations of imagery in literary works, including the image of the self and the other. The image is about a geographical environment, a historical event, a culture, customs, traditions, and different groups that have a symbolic language and linguistic characteristics. In the study of image, concepts and components such as stereotypes, bias, image, and representation are introduced. One of the theories in light of which we can study the image of the self and the other is the theory of Henri Pajou, the French visual artist, who believes that the image has three directions: the superior direction or positive distortion, the inferior direction or negative distortion, and the horizontal direction or neutrality. He is a great writer and poet who lived in Shizer region shortly before the crusades, and his book Al-Etibar presents a detailed and amazing image of different social and political classes and strata, including the image of the author himself and his family. , different tribes of Arabs, Fatimids, Ayyubids, Christian invaders and other groups. This research aims to investigate the duality of the self and the other in the Book of Al-Etibar through a descriptive-analytical method and based on the theory of surology, and to answer the basic question of what are the types of images of the self and the other and their examples in this book? Keywords: Comparative literature, surology, self and other, Osama bin Munqidh, Al-Etibar. Introduction Surology is one of the most important subjects of literary research in the field of comparative literature. This science examines the image of oneself and others in literary works. The present study aims to examine the image of me and another in the book of Al-Etibar. This book is full of various religious, political, social and cultural knowledge. Osama's memoirs (1095-1188) were included in this book, a valuable message for future generations; And I played a long way in narrating many beautiful pictures and special sights of different countries, traditions, customs and living utensils, and shed light on the history of these countries. The book Al-Etibar contains a lot of political, geographical, historical, social, cultural and religious information, and therefore it is suitable for studying the image and manifestations of the self and the other in it. In this book, Ibn Munqidh presents a clear image of the different classes and groups by carefully looking at different angles of the social and political life of the people of his time. The importance of this research lies in the fact that it attempts to study the types of images in the book Al-Etibar and through it to identify Osama’s point of view and his portrayal of the groups and classes he talked about, because this book is considered one of the most important sources related to the issues and events associated with the Crusades and the power of Christians in Jerusalem and their injustice towards the different groups, as it also talked about their social, political and cultural behavior. Materials & methods This research was conducted using the descriptive analytical approach and by collecting the necessary information about the subject and analyzing it in light of Henri Pajou’s theory of the image. Results After studying the duality of self and other in the book Al-Etibar, we can come up with the following results: Osama described what he saw and heard in his travels and memories, without any favoritism towards any person or group. What distinguishes his presented images is frankness and expression of details; as he describes the events that took place in the Crusades in detail and talks about the different races and nationalities participating in these wars. The self models in the book Al-Etibar are the Muslim Arabs and the other models are the Christian Crusaders. When talking about each group, Osama tries to be neutral and present their news, ev

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