آرشیو

آرشیو شماره‌ها:
۳۹

چکیده

بر اساس پژوهش های انجام شده و هم چنین دیدگاه های پژوهشگران در زمینه رباعیات فارسی اثبات شده است که رباعیات فراوانی از منابع متقدم در میان رباعیات منسوب به عرفای شاعر، از جمله در رباعیات منسوب به مولانا راه یافته است. روشن است که انجام هر گونه تحقیقی در مورد رباعیات هر یک از شاعران، پیش از مشخص شدن رباعیات دخیل، ممکن است با نتایجی نادرست همراه باشد؛ چنان که اغلب پژوهش های انجام شده درباره رباعیات مولانا، به دلیل رباعیات دخیلی که به طور قطع در آنها وجود دارد، از درجه اعتبار علمی ساقط است. از این رو، به دنبال پژوهش های قبلی در ردیابی رباعیات دیگران در رباعیات منسوب به مولانا، در این تحقیق نیز، با بررسی نسخ خطی و منابع چاپی رباعیات دخیل دیگری را نیز، در میان رباعیات دیوان کبیر پیدا کرده ایم که به شعرای متقدم تعلّق دارد، از میان این شعرا اوحدالدین کرمانی، عطار نیشابوری و افضل الدین کاشانی، بیشترین تعداد رباعیات دخیل دیوان کبیر را به خود اختصاص داده اند.

Tracing 81 quatrains attributed to Rumi in previous sources

Based on the conducted research and also the views of researchers in the field of Persian quatrains, it has been confirmed that many quatrains from ancient sources have found their way among the quatrains attributed to mystic poets, including the quatrains attributed to Rumi. It is clear that doing any kind of research on the quatrains of each of the poets, before identifying the common quatrains, may lead to wrong results; As most of the researches done about Rumi's quatrains, due to the common quatrains that definitely exist in them, they are not of scientific validity.Therefore, following the previous research in tracing the quatrains of others in the quatrains attributed to Rumi, In this research, by examining the manuscripts and printed sources, we have also found other involved quatrains among Divan-e Kabir's quatrains, which belong to previous poets. Among these poets, Ohaddin Kermani, Attar Neishabouri and Afzaldin Kashani have the most number of Common quatrains in Divan-e Kabir. Keywords: Divan-e Kabir, common quatrains, previous poets, previous sources, manuscripts. Introduction: Undoubtedly, one of the most important and fundamental topics in the field of literary criticism is the issue of correctness of attribution; Because before determining the correctness of attribution in each part of a literary work, any kind of research about it will be useless and will not have scientific validity. A critic must know how innovative the work he discusses and researches; And if in that work something from the works and books of others has been quoted in different forms, what are those works? Materials & Methods: More and more detailed investigations in the manuscripts and printed versions of divans of poets and earlier prose texts as well as poetry collections show that there are many common quatrains among these works, especially in the poet mystics works. There are, among the most important of them, we can point to the quatrains attributed to Rumi in Divan-e-Kabir, edited by Badi-ul-ZamanFaruzanfar. The eighth volume of this Divan contains 1983 quatrains. from the works and writings of Rumi, it can be seen that he was well acquainted with the literary works and especially the mystical works before him and was influenced by them in creating his works. he recited the poems and especially the quatrains of his predecessors in sermons, but his disciples recorded these poems and quatrains in his name. The uncertainty of the attribution of all the quatrains mentioned in Divan-e-Kabir is a point that most researchers in this field have pointed out. The truth of the matter is that evaluating and criticizing the attributions of quatrains in Divan-e-Kabir requires opening and exploring new and wide paths that for some reasons cannot be imagined as an end; Because compiling the history of Persian quatrains and reviewing them, first of all, it is necessary to have reliable texts, while a large amount of the heritage of Persian quatrains has remained untouched in the treasure of manuscripts in the libraries of Iran and the world. Sources that without examining them, any research done in this field will definitely be incomplete. but by accepting this principle that there is no final word in the field of research and research, one can start a long and wide path and with more research, add to previous achievements and pave the way for future research. In the current research, in order to find the common quatrains of Divan-e-Kabir and other poets' quatrains, in addition to examining their printed Divans, even if possible, several manuscripts of these diVans have also been cited. in addition to divans, previous prose texts and numerous poetry collections were also examined in order to obtain more accurate and reliable results. in this research. Discussion & Result: By examining the research done about Rumi's quatrains, we often come to theses and articles in which quatrains from Divan-e-Kabir are mentioned, which do not originally belong to R

تبلیغات